
The Alameda and San Lorenzo
Tales surrounding a torso and rulers dressed as heroes invite questions about what the Alameda tells through its sculptures.
What legends does Seville tell, where, and since when?
7 walks with different starting points and stories. Compare their maps, stops and duration, then choose where to begin.
Explore these walks
Seville's legends lead to courtyards, squares and streets with stories of their own. What is told matters here, but so do its setting and how long it has circulated. These walks let popular tales keep their nuances: tradition, remembrance and invention can coexist without every element being presented as though it happened in the same way.
In “The Alameda and San Lorenzo”: Tales surrounding a torso and rulers dressed as heroes invite questions about what the Alameda tells through its sculptures.
In “The Arenal and the Indies trade”: Miguel Mañara and Don Juan's reputation let you distinguish a documented life from a literary character in the places of the Arenal.
In “Central Seville: Legends and Truths”: The serpent of Sierpes and the king with the lamp put familiar tales to the test in the places where they're told.
Choose from 7 independent walks in Seville. Open the one that interests you to see its map, stops and approximate duration before deciding. You don't need to do them all or follow this selection's order; each walk has its own starting and finishing points.
Open a marker to see its page. Use two fingers to move the map on mobile.

Tales surrounding a torso and rulers dressed as heroes invite questions about what the Alameda tells through its sculptures.

Miguel Mañara and Don Juan's reputation let you distinguish a documented life from a literary character in the places of the Arenal.

The serpent of Sierpes and the king with the lamp put familiar tales to the test in the places where they're told.

María Coronel and Bécquer's organ let you compare a legend that changes over time with one born from literature.

You begin in the summer of 1391, when the Jewish quarter was attacked, and follow what became of its synagogues: one is now Santa María la Blanca; another was the church where Murillo was buried, and it no longer exists.

The cell the size of an oven introduces the Macarena's tales alongside the history of its gates and buildings.

In the Altozano, the small hours of 1812 when the locals defended the bridge, and the day the old bridge of boats said goodbye to its boatman.
The centre offers few serious hills, but sunshine sets the pace. Alternate squares, lanes and a long break: Seville rewards a day with room to breathe.
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