
The Alcázar and San Basilio
You start beside the walls of San Basilio, the old Alcázar Viejo, a neighbourhood that held out against six breaches in 1368 and where, the story goes, the women fought with pikes and sticks.
How did the Córdoba that worked, traded and celebrated actually live?
7 walks with different starting points and stories. Compare their maps, stops and duration, then choose where to begin.
Explore these walks
The Córdoba that works, trades and celebrates appears in these neighbourhood and everyday-life walks. The focus is on how streets were used and on the people who gave them their rhythm, alongside the notable buildings. Comparing their stories offers a way into trades, encounters and differences that give each part of the city its own life.
In “The Alcázar and San Basilio”: You start beside the walls of San Basilio, the old Alcázar Viejo, a neighbourhood that held out against six breaches in 1368 and where, the story goes, the women fought with pikes and sticks.
In “The Roman Bridge and the Calahorra”: Cross the Guadalquivir in eleven stops: a monument that lists a city's fears, boats at the Bridge Gate, the little shrine where the executed were received, a tower that locked up just about everyone, and the battle that, tradition has it, gave the far bank its name.
In “San Agustín and San Lorenzo”: The neighbourhood that stood its ground, in twelve stops: a Virgin who arrived by mule (or so they say), women who break out of a lock-up, nuns who escape a fire through a hole in the wall, a mother who sparks a riot, and the gate kings rode in through.
Choose from 7 independent walks in Córdoba. Open the one that interests you to see its map, stops and approximate duration before deciding. You don't need to do them all or follow this selection's order; each walk has its own starting and finishing points.
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You start beside the walls of San Basilio, the old Alcázar Viejo, a neighbourhood that held out against six breaches in 1368 and where, the story goes, the women fought with pikes and sticks.

In the Corredera: a misheard shout in 1683, two ladies who beat the corregidor with an order from the king, the stage where punishments were carried out, and a rope that snapped because someone put it in an oven.

You start in the old Herrería, the blacksmiths' street, where in 1473 a girl spilled a little water from a window and a blacksmith shouted that it was urine.

Cross the Guadalquivir in eleven stops: a monument that lists a city's fears, boats at the Bridge Gate, the little shrine where the executed were received, a tower that locked up just about everyone, and the battle that, tradition has it, gave the far bank its name.

The neighbourhood that stood its ground, in twelve stops: a Virgin who arrived by mule (or so they say), women who break out of a lock-up, nuns who escape a fire through a hole in the wall, a mother who sparks a riot, and the gate kings rode in through.

Córdoba's northern neighbourhoods in eleven stops: the tower paid for by gamblers, the slaughtermen's quarter that produced bullfighters, the 1449 crime that legend muddled up, a 'dry' fountain that isn't and the Christ of the Lanterns.

You come back to Leonor beside the church that holds her chapel, and finish in the walled-up streets of 1804, with a fairy-tale duende.
A narrow lane, an open square, then shade again. Córdoba is a rewarding walk when heat, cobbles and the appeal of a seat can adjust your plans.
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