
The Square of Kings
Opposite is the Teatro di San Carlo: it was built for Charles of Bourbon in seven months, and its builder's story doesn't end in applause.
What did Aragon, the viceroys (1503–1707) and Charles of Bourbon leave behind?
4 walks with different starting points and stories. Compare their maps, stops and duration, then choose where to begin.
Explore these walks
Naples's Spanish history can be followed through neighbourhoods, decisions and people. These routes place that relationship within the city's life, beyond a familiar name. They approach government, everyday living and the memories left by a shared history with different conflicts and perspectives, keeping the Neapolitan setting central to each connection.
In “Spanish Naples”: Two centuries of Spanish Naples, told in the street: an Aragonese king's arch, a Navarrese engineer's mine, a real crocodile, the city that said no to the Inquisition, Viceroy Toledo's empty tomb, his street, Caravaggio's last painting and the Quarter he laid out for his soldiers.
In “The Square of Kings”: Opposite is the Teatro di San Carlo: it was built for Charles of Bourbon in seven months, and its builder's story doesn't end in applause.
In “Masaniello and Market Square”: And this is where it all began in July 1647: a fight over fruit, a twenty-seven-year-old fishmonger and ten days that put the viceroy on the ropes.
Choose from 4 independent walks in Naples. Open the one that interests you to see its map, stops and approximate duration before deciding. You don't need to do them all or follow this selection's order; each walk has its own starting and finishing points.
Open a marker to see its page. Use two fingers to move the map on mobile.

Opposite is the Teatro di San Carlo: it was built for Charles of Bourbon in seven months, and its builder's story doesn't end in applause.

And this is where it all began in July 1647: a fight over fruit, a twenty-seven-year-old fishmonger and ten days that put the viceroy on the ropes.

You reach Castel Capuano, the Norman castle that the viceroy Pedro de Toledo turned into the Vicaria: here the ruined debtor climbed a column and dropped his trousers, here the camorra charged prisoners for the Madonna's lamp oil, and from here Eleonora Pimentel walked out to run the Republic's newspaper.

Two centuries of Spanish Naples, told in the street: an Aragonese king's arch, a Navarrese engineer's mine, a real crocodile, the city that said no to the Inquisition, Viceroy Toledo's empty tomb, his street, Caravaggio's last painting and the Quarter he laid out for his soldiers.
Walk Naples with attention and an appetite. Narrow streets, slopes and the sea change the pace; leave room to look and to step aside for a moment.
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