
The Mezquita and the Jewish Quarter
You start in front of two statues that everyone photographs without asking why both are of exiles.
Who were they, beyond the statue?
4 walks with different starting points and stories. Compare their maps, stops and duration, then choose where to begin.
Explore these walks
Behind a statue or a street name is a person harder to summarise. This theme follows figures from Córdoba's history, paying attention to their decisions and the memory they left. The walks connect them with particular places and offer more than the brief version of a life that can fit into a public tribute.
In “Roman Córdoba”: Seneca and Lucan place the names of Roman Córdoba alongside its locations and other lives of the ancient city.
In “Santa Marina and Capuchinos”: Manolete, the Commanders and the preacher of Capuchinos approach the neighbourhood through lives remembered in its squares.
In “The Mezquita and the Jewish Quarter”: You start in front of two statues that everyone photographs without asking why both are of exiles.
Choose from 4 independent walks in Córdoba. Open the one that interests you to see its map, stops and approximate duration before deciding. You don't need to do them all or follow this selection's order; each walk has its own starting and finishing points.
Open a marker to see its page. Use two fingers to move the map on mobile.

You start in front of two statues that everyone photographs without asking why both are of exiles.

Seneca and Lucan place the names of Roman Córdoba alongside its locations and other lives of the ancient city.

Manolete, the Commanders and the preacher of Capuchinos approach the neighbourhood through lives remembered in its squares.

Then a Roman temple with brand-new columns, the pavement where unnamed bodies were laid out, and the friars of San Pablo walking out in 1513.
A narrow lane, an open square, then shade again. Córdoba is a rewarding walk when heat, cobbles and the appeal of a seat can adjust your plans.
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