
The Gothic Quarter: Saints, Kings and the Call
You begin in front of the Cathedral with Saint Eulàlia: her geese, the stolen finger already carved in stone in 1339, and the question of whether she ever existed.
What looks medieval and isn't: the façade a banker paid for, the avenue the bombs opened up, a house moved stone by stone, columns rescued from a count, a bridge from 1928 and a square pieced back together. And the things that really are old.

You start in the Plaça Nova with a Picasso drawing his own hand never touched, and with the only two round towers left on the Roman wall: those really are old. Everything else has a trick to it. The avenue in front of the cathedral was opened up by post-war demolitions that took advantage of the bombing of 1938; the façade everyone photographs was paid for by a banker at the end of the nineteenth century. In the Plaça del Rei, a Gothic mansion that arrived from another street and, when its foundations were dug, uncovered the Roman city; and a great medieval hall that lay hidden inside a nuns' church until 1936. On Carrer del Paradís, the columns a count wanted to carry off to his estate. Under the Bisbe Bridge, from 1928, what its critics said and the skull nobody mentioned a hundred years ago. You finish in Sant Felip Neri: the marks of one morning in 1938, the myth that covered them up, and a square assembled from houses brought in from elsewhere. None of this makes the quarter any less worth seeing: it teaches you how to look at it. The victims of 1938 are remembered with respect and without graphic detail.
An outline of the walk. The full stories are in the app.
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Walking directions are based on mapped pedestrian routes. Check local access and signs; the route is not an accessibility guarantee. Times are approximate.
A city worth looking up for, with pavements worth watching too. Between narrow lanes, long avenues and a break by the sea, leave room in the day to sit down.

You begin in front of the Cathedral with Saint Eulàlia: her geese, the stolen finger already carved in stone in 1339, and the question of whether she ever existed.

You start on the most musical corner in the city, the Palau de la Música, and on the night a banned song ended up before a military court.

You start under the colourful roof of Santa Caterina, the market a royal decree wanted to name after Isabella II, and that nobody ever called by that name.

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Download the audio in the app before heading out, then listen offline. Loading the online base map and calculating a new route from your location require a connection.
Every route includes Spanish and British English. The English version is adapted for English-speaking travellers, rather than translated word for word.
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